清雍正 仿哥釉官窯貫耳尊 The vase neck is encircled with four raised ribs and flanked by two fixed-ring mask handles applied to the shoulder. The exterior and interior of the vase is covered overall with a greyish-celadon glaze suffused with black and crackles, with the exception of the foot rim applied with a dark brown wash. The base with six character Yongzheng mark. Qing Dynasty Yongzheng period. 此瓶形近乎四方，古拙而硬朗，唇口、束頸、垂腹、高圈足，頸兩側對稱長方形貫耳，頸部置四道弦紋為飾，表面滿佈'金絲鐵線' 冰裂紋，縱橫交織，自然天成。其釉古雅厚潤，絞片疏朗自然。底足平扁而飾黑褐之色，以摹鐵足之效。底部青花書“大清雍正年制”六字三行篆書款。貫耳尊始於宋代，器身扁圓或六方形，宋代官窯、哥窯、龍泉窯等有燒製。雍正皇帝好慕古，雍正御窯曾仿製多種宋代五大名窯製品。此尊古雅端莊釉質勻淨，釉色淡雅，幽雅凝重，簡潔雋麗又不失華美之氣，為雍正時期仿哥窯製器上佳之作。據光緒三十年十二月立《梨花伴月收存不在印檔瓷器清冊》記載，承德避暑山莊梨花伴月西圍房藏有雍正年款大觀釉四方雙管起線瓶五件，即為相類器物。雍正時期，唐英來到景德鎮主持御廠事物之後，成功的仿製了包括哥窯在內的五大名窯。這些陶瓷器物胎質堅細，釉色沉厚細膩，光澤瑩潤，如同凝脂，不僅扣之瓷音清亮，而且造型挺拔大方，輪廓亦柔和流暢。此件拍品屬於唐英執掌御窯時產出的仿哥窯精品之一，造型看似簡練，實則成型難度極大。來源: 南加州聖地亞哥私人收藏