LOT 230 Rare Chinese Kangxi period B/W Wu-Cai Guan-Yin Vase:52c
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清康熙 青花五彩公主与5仕女3学士故事纹观音瓶: 拍品尺寸:高: 52cm。 拍品来源:加拿大西人家族 早期收藏品。简介:这是一个美丽和非常罕见的康熙时期的公主与5仕女3学士故事纹饰青花五彩观音瓶。这个花瓶有一个非常优雅,婉约和流动的轮廓。它具有匀称的型体,尤其是上段,并从大口部位开始,按照一定的比例制作出这样的花瓶。这种形状是典型的康熙时期青花五彩观音花瓶的样式。构成胎体的粘土为白色,很细,属于典型的康熙瓷器粘土。在内壁和外基部的透明釉是稍微乳白色,灰白色,具有绿色的色调,典型为康熙透明釉的痕迹。外壁光蓝绿色和乳浊釉非常美丽,非常罕见。在中国瓷器史上,这种颜色主要存在于为数极少的五代彩瓷和宋汝瓷器商品期间。但古釉却与这种康熙釉彩在许多方面完全不同。许多浅凹痕,约0.2毫米的直径,分散在釉的表面,从击发和冷却过程中发生的泡沫破灭造成,此功能在常在早期康熙瓷器上显现。青花加双圆圈标记被写入在外底基部的中心。釉下钴颜料柔和,并常常出现粘附到釉的底部,这些都是早期的康熙重要特征青花,可以与后来的所谓康熙仿制品加以区别。这件青花加五彩观音瓶所描绘的主题纹饰:公主与侍女,学士们的形象更是生动活泼,栩栩如生;所绘山石树木,庭院栏杆,更是郁郁葱葱,雅致幽静...... 在康熙朝16年,在现在的景德镇口,皇家御制瓷器工厂进驻那里,并禁止瓷器书写统治者的年号印记,以防止神圣的统治者标记可能会在瓷器破损后被打碎或丢弃。也许这就是大清康熙年款标志不写在这些宏伟的青花五彩观音花瓶底的原因。 这类青花五彩人物纹饰大观音瓶具有非常高的文化艺术价值和收藏价值。清康熙象腿瓶象腿瓶,即一统瓶,瓶形为广口外撇,短颈,肩部宽与口相若,身如直筒状,平底,造型如粗壮的象腿,所以又名Â象腿瓶Â。因Â筒Â与Â统Â谐音,有Â大清天下一统Â的寓意。多见于清初顺治、康熙两朝,品种有青花、五彩。(注解:2008-01-19 澳门中信国际拍卖有限公司,拍出一件与本次拍品完全一致的瓷器,它的高度尺寸仅为48cm,详情见第六张图片) ------------------------------------------------- Qing Kangxi Blue and White Princess and 5 Ladies 3 Bachelor Story Avalokitesvara: Lot Size: Size: H: 52cm. Lot Source: Early Canadian Family Collection. Plot: This is a beautiful and very rare princess of the Kangxi period with 5 ladies 3 bachelor story decorated with blue and white colorful Guanyin bottles. This vase has a very elegant, graceful and flowing silhouette. It has a well-proportioned body, especially the upper section, and from the big mouth parts, in accordance with a certain percentage of the production of such a vase. This shape is typical of the Kangxi period blue and white Guan Yin vase style. The clay forming the carcass is white and very fine, belonging to the typical Kangxi porcelain clay. The clear glaze on the inner wall and the outer base is slightly milky white with a greenish hue, typical of traces of Kangxi transparent glaze. Exterior light blue green and opaque glaze is very beautiful, very rare. In the history of Chinese porcelain, this color mainly existed in the very few Five Dynasties porcelain and Song Ru porcelain wares. However, ancient glaze with this Kangxi glaze is completely different in many ways. Many shallow dimples, about 0.2 mm in diameter, are scattered on the surface of the glaze, caused by the bursting of foam that occurs during firing and cooling, a feature often found on early Kangxi porcelain. Blue and white double circle mark is written in the center of the outsole base. Underglaze cobalt pigments soften, and often appear attached to the bottom of the glaze, these are the early characteristics of Kangxi blue and white flowers, with the so-called Kangxi imitation later to be distinguished. This blue-and-green color and colorful bottle of Guanyin depict the theme of decoration: the princess and maid, the image of the bachelor is more lively and vivid; painted rocks, garden railings, it is lush, elegant and quiet ... ... Kangxi For 16 years, at the present port of Jingdezhen, Royal Imperial Porcelain Factory was stationed there and the porcelain was banned from writing the ruler's trumpet to prevent the divine ruler's mark from being smashed or discarded after the porcelain was damaged. Perhaps this is why the emblem of the Qing emperor Kangxi years do not write in these magnificent blue and white Guan Yin vase bottom of the reason. This kind of blue and white multicolored characters decorated Guan Yin bottles have a very high cultural and artistic value and collection value. Qing Kangxi like Leg Bottle leg bottle, that is unified bottle, bottle-shaped mouth wide mouth outside, short neck, shoulder width and mouth similar, body straight like, flat bottom, modeling such as stout legs, so, also known as "elephant Leg bottle. " Due to the "tube" and "system" homonym, there is "a symbol of the Qing Dynasty world". More common in the early Shun Shunzhi, Kangxi two dynasties, there are varieties of blue and white, multicolored. (Note: 2008-01-19 Macao CITIC International Auction Co., Ltd., made a piece of porcelain exactly the same as this auction, its height is only 48cm, details see the sixth picture).
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