LOT 509 Master of the paintings of the high altar retable in ravens. Early 16th century. 104 x 61 cm. Group of figures praying with pope and cardinal. Oil/needlewood, c. 1510/1515. The panel, which has already been ascribed several times, was most recently incorporated into the oeuvre of the painter of the paintings of the high altar retable in ravens with convincing arguments by Dr. Isolde Lübbeke (cf. Isolde Lübbeke, Der verlorene Altar eines Münchner Hofmalers. Hans Ostendorfer I and the "beautiful panel of the choir altar" from 1518 in the collegiate church of Altötting, Wallraf-Richartz-Jahrbuch vol. LXXX, 2019, pp. 29-126, there especially pp. 44 and 87. The fragment could have been the lower left corner of a monumental multi-figured representation, probably of a mantle Madonna or a rosary picture. It also seems conceivable as part of an altar wing. The panel has been the subject of numerous publications: Hubert Wilm, Der Zug der Seligen, 1951, unpublished manuscript, 20S. With an afterword by Hartfried Neunzert from 2005, Karl Sitzmann, artist and craftsman in East Franconia, Stadtarchiv Kulmbach, Bayreuth 1957, p. 217 August Gebessler, additions and corrections. The Plassenburg, 16, 1962, p. 20.Isolde Hausberger, The Master of Mühldorf. The painter Wilhelm Pätzsold, Mühldorf am Inn, 1973, p. 120 Provenance: Formerly the collection of Dr. Hubert Wilm (1887 - 1953), Munich and since then in Wilm's family possession. Foreword Dr. Hubert Wilm (PDF)
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Master of the paintings of the high altar retable in ravens. Early 16th century. 104 x 61 cm. Group of figures praying with pope and cardinal. Oil/needlewood, c. 1510/1515. The panel, which has already been ascribed several times, was most recently incorporated into the oeuvre of the painter of the paintings of the high altar retable in ravens with convincing arguments by Dr. Isolde Lübbeke (cf. Isolde Lübbeke, Der verlorene Altar eines Münchner Hofmalers. Hans Ostendorfer I and the "beautiful panel of the choir altar" from 1518 in the collegiate church of Altötting, Wallraf-Richartz-Jahrbuch vol. LXXX, 2019, pp. 29-126, there especially pp. 44 and 87. The fragment could have been the lower left corner of a monumental multi-figured representation, probably of a mantle Madonna or a rosary picture. It also seems conceivable as part of an altar wing. The panel has been the subject of numerous publications: Hubert Wilm, Der Zug der Seligen, 1951, unpublished manuscript, 20S. With an afterword by Hartfried Neunzert from 2005, Karl Sitzmann, artist and craftsman in East Franconia, Stadtarchiv Kulmbach, Bayreuth 1957, p. 217 August Gebessler, additions and corrections. The Plassenburg, 16, 1962, p. 20.Isolde Hausberger, The Master of Mühldorf. The painter Wilhelm Pätzsold, Mühldorf am Inn, 1973, p. 120 Provenance: Formerly the collection of Dr. Hubert Wilm (1887 - 1953), Munich and since then in Wilm's family possession. Foreword Dr. Hubert Wilm (PDF)
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