明 官釉貫耳壺 及 唐代彩繪仕女一組 Comprising of a guan-type hu vase, the baluster body rising to a slightly flared rim with cusped corners, the neck flanked by a pair of rectangular lug handles, covered overall in a greyish white glaze suffused with a matrix of crackles. Ming Dynasty period; and an elegant standing lady figure clothed in a long-sleeved pleated gown, with hands clasped at the waist concealed by a scarf, hair arranged in elaborate single knot, wood base. Tang Dynasty period. 唐朝陶俑的大量出現同當時的中外文化交流密不可分。異域的各種風物、衣飾、形象皆為唐人吸納，成為時尚，亦成為陶俑的表現題材，而厚葬風氣的日益興盛終於成就了唐俑的繁榮。螺髻，立姿，面容圓潤，穿著窄袖襦衫與及腰豎條紋長裙。貫耳瓶侈口，長頸，肩兩側飾貫耳，足底修飾工整，器身滿布自右向左下大開片褐黃色冰裂紋。