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Home > Auction >  TimeLine Auctions Antiquities Sale - Day 2 >  Lot.0680 Greek Marble Statue of a Kore

LOT 0680 Greek Marble Statue of a Kore

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GBP4,000
Estimate  GBP  4,000 ~ 6,000

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TimeLine Auctions Limited

TimeLine Auctions Antiquities Sale - Day 2

TimeLine Auctions Limited

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Ionian, 7th-5th century BC. A marble statue of a kore, simply carved, arms to the side and wearing a long peplos, belted at the waist. See Karasaki, K., Archaic Korai, J. Paul Getty Museum, 2003; Steiber, M., The Poetics of Appearance in the Archaic Korai, U.T. Austin Press, 2010.83 kg, 80cm (32"). Property of a English gentleman; formerly the property of a Munich collector; previously acquired in the 1980s; accompanied by a scholarly note TL5334 by Dr Ronald Bonewitz; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10354-168103. The classical Greek word ‘kore’ (pl.’korai’), meaning ‘girl’ or ‘young woman’ is the term applied to a category of free-standing anthropomorphic statues from the archaic Greek world. The korai are the feminine counterpart of the kouroi sculptures, depicting young men. Whereas the kouroi were typically represented in a state of athletic, heroic nudity, the korai are invariably clothed, as in this example. The faces, where extant, often display the enigmatic ‘archaic smile’. The clothing of the korai changed along with contemporary fashion. Earlier examples, such as the present lot, wore a more austere peplos (sleeveless belted dress), whilst more elaborate, later korai, such as the ‘Antenor’ kore of c.520 BC, found on the Athenian Acropolis, often wore the more elaborately draped chiton (long-sleeved, draped gown) and himation (shawl"). Unlike some notable early examples, this lot is static in pose, rather than being depicted with one leg stepping forward. It is unclear whether korai represented gods or mortals; what is certain, however, is that they are often found in votive or funerary contexts, often at temple sites. The inscription on the above-mentioned Antenor kore suggests that it had a votive role, perhaps in gratitude to a goddess. As with much archaic and classical Greek sculpture, korai were originally polychromic, although the vast majority of examples, this lot included, no longer retain their paint.

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