A George III brass mounted mahogany musical table clock with fired enamel dials Hare, London, late 18th century The compact five pillar triple chain fusee movement with plates measuring 5.5 by 4.5 inches fitted with transverse arrangement of 3.25 inch pinned barrel and twelve hammers for playing a choice of six tunes on a graduated nest of nine bells after the hour has sounded on a further separate bell, with verge escapement regulated by short bob pendulum and signed Hare, London within a delicate floral engraved cartouche to backplate, the 5.75 inch circular convex white fired enamel Roman numeral dial signed HARE, LONDON to centre, with Arabic five minutes to outer track and pierced gilt brass hands beneath separate small 1.5 inch circular enamel subsidiary tune selection dial radially inscribed BELLISLEDON, MILL MILLONE, ANONYMOUS, WHITE COCKADE, CORN GIGS and TWEED SIDE, in a brass mounted mahogany break-arch 'triple pad top' case with hinged brass carrying handle and fillet edged raised panels to top over cavetto moulded arch and full-height front door fitted with separate cast brass moulded convex-glazed bezels for both the dial and subsidiary above within an arrangement of scroll pierced brass blind fret infill panels and flanked by moulded brass inserts to angles, the sides with brass arcade-bordered arched apertures and the rear with full-width door inset with brass fillet bordered fishcale frets and flanked by moulded inserts to angles, on brass ans mahogany stepped ogee mounded skirt base with ogee bracket feet, (case with probable alterations and adaptations), 37cm (14.5ins) high excluding handle. The current lot is most likely by Alexander Hare who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1776 and working in London 1781-1824.