Showa (1926-1989) and Heisei (1989-2019) eras, circa 1950s and late 20th/early 21st century Four oban tate-e prints: the first titled along the bottom margin Ushibori no yugure (Dusk at Ushibori), dated Showa gonen saku (Work of Showa 5 [1930]), a later edition printed by Shobido circa 1950s (originally published by Sakai-Kawaguchi), with a red seal Shobi at the bottom left corner, 43.5cm x 30.5cm (17 2/16in x 12in); the remainder, all reproductions, the first titled along the lower left margin Shiba Zojoji (Zojoji Temple, Shiba) from the series Tokyo nijukkei (Twenty Views of Tokyo), dated Taisho juyonen saku (Work of Taisho 14 [1925]), published by Watanabe Shoichiro, with a Hanken shoyu Watanabe Shoichiro seal and a 7mm round Watanabe seal at the bottom right corner, 40cm x 27cm (15¾in x 14 5/8in); the second titled along the upper right margin Soshu Maekawa no ame (Rain in Maekawa, Soshu) from the series Tokaido fukei senshu (Selections of Views of Tokaido), dated Showa shichinen nigatsu saku (February, Showa 7 [1932]), probably published by Watanabe Shoichiro, with a long rectangular Heisei era Watanabe seal at the lower left corner, 39.8cm x 26.5cm (15 11/16in x 14 3/8in); the last titled along the lower left margin Hiraizumi Konjikido (Konjiki Hall, Hiraizumi), dated Showa sanjuninen saku (Showa 32 [1957]), probably published by Watanabe Shoichiro, with a long rectangular Heisei era Watanabe seal at the lower right corner and a 7mm round Watanabe seal at the bottom left corner, 40cm x 36.8cm (15¾in x 14½in); all signed Hasui with Kawase seal. (4).