A recto-verso drawing, depicting to the recto a clerical figure, and the verso with a study for a male figure, Italian, 16thC, a washed brown ink drawing, the recto heightened with white chalk, 145 x 217 mmNo visible signature, in the manner of Paolo Farinate (1524 – 1606), the Resurrection of Christ, Italian, 16thC, a washed brown ink drawing on paper, 214 x 309 mmGioseffo del Sole (1654-1719), a fine 'ecorché' drawing, the verso signed 'di G. Gius. Dal Sole, 184’, 17th/18thC, 130 x 192 mmNo visible signature, the Madonna and Holy Child, after the marble Madonna in Genua by Pierre Puget, 17thC, a washed brown ink drawing, 133 x 195 mm