No visible signature, in the manner of Rembrandt, a temple scene, charcoal on paper, 130 x 190 mmA recto-verso architectural drawing, 17thC, brown ink on paper, 160 x 190 mmNo visible signature, an Italian landscape, sanguine drawing, 160 x 280 mmNo visible signature, the battlefield, a pen sketch on paper, 155 x 210 mmNo visible signature, the interior of a church, 19thC, pencil & watercolour on paper, 219 x 317 mmSigned 'Epryce', a study of flowers and trees, dated 1856, a pencil drawing on paper, 170 x 280 mm