碧玉質地。此對插屏呈長方形，採 用整塊碧玉原料，以剔地浮雕的 手法琢刻而成。一個圖刻在山石 松樹間一個羅漢在旁看著兩只大 小獅在嬉戲，一童子手捧繡球在 戲獅，背面琢梅花樹及靈芝紋；一 個圖刻在山石樹林間，四個童子， 一個羅漢在洗象的畫面，背面刻 牡丹、靈芝紋。一為戲獅圖，一為 洗象圖。配有紅木底座。兩器佈 局協調，刻畫細膩生動，工藝精湛。 清代為了適應室內裝飾的需要， 在宮廷和上層階層的居室內，廣 泛地應用插屏與掛屏等家俱，但 其實用性已基本退化，成為室內 陳設的一部分，主要起的是美化 環境的目的，故往往不吝成本，極 盡精工之能事，而其設計與製作 又與不同的場所與位置緊密相聯， 體現了一個時代的風尚。Hongshan style. Jue is made of blue and white jade with black Qin. The body is flatand cylindrical, the surface of the instrument is cut with an inclined plane, and the overall light is plain without lines. There is a gap for wearing Guangyun: "Peiru is still missing, and the courtiers are on standby in the realm. If they are given rings, they will return, if they are given Jue, they will die, and if they are given righteousness, they will take Jue." Qin Mie, Xiang Yu set up a Hongmen banquet, fan Zeng wanted to kill Liu Bang, jade Jue to show three, so jade Jue also hinted decision, farewell. It has the style of Hongshan culture period.