LOT 0056 IGNACIO ZULOAGA (1870 / 1945) "MarÃa Teresa Llavallol,
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Firmado y fechado Signed and dated in Paris in 1917. Bibliography: - MartÃnez Sierra, G. et al. "Ignacio Zuloaga", Madrid, n/d. rep. plate 15. - Fanton Roberts, M. "Zuloaga, Spain's Most Famous Painter Today" Arts & Decoration, New York, January 1924, rep. p. 48. Exhibitions: - "El Greco. La mirada de Rusiñol", Fundació Godia, Barcelona, December 2014 - February 2015, rep. p. 84. - "Zuloaga. Character and emotion", Fundació Bancaixa, Valencia, 2018, rep. p. 117. In 1918, Ignacio Zuloaga painted in Paris one of his most elegant female portraits, that of MarÃa Teresa de Llavallol, Mrs. Atucha. In an almost square format, the sitter advances towards the right side of the composition with a distinguished bearing, wearing a greenish ball gown, silver shawl and a shawl ruffled in the wind, which accentuates the sensation of movement in the painting, recalling the vibrant dynamism of Chéret's works. Zuloaga gives the model a monumentality that infuses the painting with a remarkable grandeur. To the erect posture and distinction, the expressiveness of the look in which the painter manages to convey the character and personality of the portrayed is added. The skies in the background, halfway between the storm and the twilight, infuse the work with an epic component that gives the model a grandiose air; all this fused in a beautiful and dreamlike composition that technically appeals to the resources of modern painting and poster art. Translated with www.DeepL.com/Translator (free version)en ParÃs en 1917. Bibliografia: - MartÃnez Sierra, G. y otros. "Ignacio Zuloaga", Madrid, s/d. rep. lám. 15. - Fanton Roberts, M. "Zuloaga, Spain's Most Famous Painter Today" Arts & Decoration, New York, Enero 1924, rep. p. 48. Exposiciones: - "El Greco. La mirada de Rusiñol", Fundación Godia, Barcelona, Diciembre 2014 - Febrero 2015, rep. p. 84. - "Zuloaga. Carácter y emoción", Fundació Bancaixa, Valencia, 2018, rep. p. 117. En 1918, Ignacio Zuloaga pintó en ParÃs uno de sus retratos femeninos más elegantes, el de MarÃa Teresa de Llavallol, señora de Atucha. En un formato, casi cuadrado, la retratada avanza hacia el lado derecho de la composición con un porte distinguido, llevando un vestido de gala verdoso, mantón plata y un chal desflecado al viento, que acentúa la sensación de movimiento en la pintura recordando el vibrante dinamismo de las obras de Chéret. Zuloaga otorga a la modelo una subrayada monumentalidad infundiendo a la pintura una notable grandeza. Al porte erguido y distinción, se le une la expresividad de la mirada en la que el pintor logra transmitir el carácter y personalidad de la retratada. Los cielos del fondo, a mitad de camino entre la tormenta y el crepúsculo, infunden a la obra un componente épico que otorga un aire grandioso a la modelo; todo ello fundido en una hermosa y onÃrica composición que técnicamente apela a los recursos de la pintura moderna y el cartelismo. . Oil on canvas.. 140 x 138 cm.
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