Spanish master second third of the seventeenth century. "St. Paul. Oil on canvas. Relined. Presents restorations and folds on the left side. Measurements: 154,5 x 89 cm. In this painting of firm and material brushstrokes, the author presents us an old man in a solemn way. Standing before the spectator and without any detail that distracts the viewer from the figure of the protagonist, the protagonist rises imposingly above the darkness of the background. St. Paul rests one of his hands and lets it rest, while he opens his left hand in a supplicant attitude, which harmonizes with the sad and tired face presented by the artist. Aesthetically, the work is close to the stylistic precepts of the most naturalistic Baroque, which is especially reflected in the face and hands of the saint, which show the inscrutable passage of time on the skin. St. Paul was a Hellenized Jew of the Diaspora, born in Tarsus. He was therefore Jewish by ethnicity, Greek by culture and Roman by nationality. He received the name Saul, which he changed to Paul after his conversion. Born at the beginning of the first century, he studied in Jerusalem with Rabbi Gamaliel, who was known for his hatred of Christians. One day, when around the year 35 he was on his way from Jerusalem to Damascus, he was dazzled by lightning and fell from his horse. Then he heard the voice of Jesus saying to him: "Saul, Saul, why are you persecuting me? As a result of this experience, the saint went abruptly from persecutor to zealot of Christianity. After curing the blindness of a Christian from Damascus, he began his life as a missionary, until he arrived in Jerusalem where he came into contact with Peter and the other apostles. In the Middle Ages, numerous corporations were placed under his patronage, due to different aspects of his iconography, life and miracles. Nevertheless, St. Paul was never a popular saint, which proves the relative poverty of his iconography. In fact, the role he occupies in art is out of proportion to his importance in the spread of Christianity. In early Christian art, his only attributes are a book or a scroll, and in the 13th century his emblem appears, the sword that was the instrument of his martyrdom. Dimensions 154,5 x 89 cm.