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Home > Auction >  Chinese Works of Art >  Lot.149 An rare and early Chinese well-figured Huanghuali and Huali ...

LOT 149 An rare and early Chinese well-figured Huanghuali and Huali ...

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邦瀚斯

Chinese Works of Art

邦瀚斯

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PROPERTY FROM THE RICHARD MILHENDER COLLECTION An rare and early Chinese well-figured Huanghuali and Huali Demi-lune Triple-top Card or games TableCirca 1730-1740 The edges of the three-leaf top with half-round molding, and the double-gate back legs with integral wood hinges to support the flaps, the top flap plain and the second baize-lined, the solid apron delicately carved in low relief with a beaded edge terminating in ruyi lappets above the rounded slightly tapering legs ending in pad feet with mythical fanged dragon-heads with wavy manes. 29 3/4in (75.6cm) high; 33 1/4in (84.5cm) wide; 33in (83.8cm) diam 十八世紀 黃花梨與花梨半月牌桌 Provenance: Odile Cavendish, London, July 1980 The Richard Milhender Collection, Boston, Massachusetts, 1980-present Published: Carl L. Crossman, The Decorative Arts of the China Trade: Paintings, Furnishings and Exotic Curiosities , Antique Collector's Club, Suffolk, UK, 1991, p. 236, Color Plate 87 The Magazine Antiques , February 1992, in an article by Carl L. Crossman, 'China Trade Furniture', p. 337, Pl. XI Exhibited: Peabody Museum, Salem, Massachusetts, (now the Peabody Essex Museum), 'Chinese Export Art: Highlights of a Private Collection', 1986-1988 出處: 倫敦 Odile Cavendish,1980 年七月 麻州波士頓 Richard Milhender 藏,1980 年至今 出版記錄: Carl L. Crossman, 《中國貿易與裝飾藝術:繪畫、傢俱、異國珍奇》,骨董藏家俱樂部,英國薩福克郡,1991 年,第 236 頁,彩版 87 The Magazine Antiques 雜志,1992 年二月,Carl L. Crossman 文《中國外銷家俱》第 337 頁,圖 XI 展出記錄: 麻州塞勒姆,皮博迪博物館《中國外銷藝術:私人收藏精粹》,1986-1988 See , London, 9 November 2017, lot 120 for a pair of ornate Huanghuali demi-lune triple-top Georgian-style gaming tables, made from a similar-figured wood but with foliate scrolls carved to the frieze (apron). The mythical-beast-heads carved to the pad feet of the London pair are also remarkably similar to the dragon-heads on the Milhender example. The Milhender table is an exceptional example of Chinese-Western cultural exchange, having been especiallymissioned according to a western design, almost certainly English, but with a Chinese craftsmen's interpretation of certain elements, like the wonderful dragon-head masks on the pad feet and the restrained ruyi (immortality lingzhi fungus) apron above each leg. In Carl L. Crossman's, The Decorative Arts of the China Trade , Woodbridge, 1991, where this table is illustrated (p. 236, pl. 87), it is described as an Oriental hardwood of stylish and very rare form. The author mentions a virtually identical table at Saltram House, Devon, UK, though adding, that the frieze is inlaid with mother-of-pearl, and it lacks the carving on the pad feet. In his later article, 'China Trade Furniture', in the The Magazine Antiques , February 1992, p. 337, he notes that the pad feet of this demi-lune table are carved with virtually the same dragon masks that appear on a chair, formerly in the Milhender Collection, plate X. pare with a relate

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