All housed in metal frames, matted under glass 1-3) Bear The Societe de Verification de la Nouvelle Gravure Internationale of New York and Paris Certificates of Authenticity affixed to verso, The Collector’s Guild Ltd Editions 1) “SCULPTURES”, Maeght 950, signed lower right in plate; 2) LE SOLEIL Rouge, inscribed lower right in silver ink “Miro”; 3) LE CHANTEUR, inscribed lower right in silver ink “Miro”; 4) “THE GARDENER’S DAUGHTER”, Lithograph in color, matted under glass. Unsigned, published in the June-July Issue of “Derriere Le Mirroir”, published by Maeght in 1963. Accompanied by a certificate of authenticity from Merrill Chase Galleries. Literature: “JOAN MIRO Lithographs”, Vol. II, New York: Leon Amiel Publisher, 1963, no. 346 & 347, pg 219; 5) Alexander Calder Lithograph in color, Housed in modern black frame, matted under glass, Unsigned, from the December 1976 issue of “Derriere le Miroir”, an art journal published in France, accompanied by a certificate of authenticity from Merrill Chase Galleries SIZE: 1) 16″ x 25″. Overall: 20-3/4″ x 29-1/2″ 2) & 3) 12-1/4″ x 9-1/4″. Overall: 18-1/4″ x 15-1/4″ 4) Sight: 14-3/4″ x 21-3/4″. Overall: 23-1/2″ x 30-1/2″. 5) Sheet: 14-3/4″ x 21-3/4″. Overall: 22-3/4″ x 29-1/2″ PROVENANCE: The Estate of Morris Racker. CONDITION: 1-3) Overall good condition, not examined out of frame. “Sculpture” has mat burn. 4) Affixed in four corners to back mat, vertical fold in center, minor discoloration 5) Two sided image with French text on verso. Vertical center fold, creases lower center, folds lower right and lower left corners. Not examined out of frame 51956-12, 51956-13, 51956-14, 51956-15, 51956-17, (1,000-1,500)