PABLO PICASSO (Malaga, 1881- Mougins, 1973)."Picasso in Catalonia", 7.11.66.Marker pen on colour photograph of the cover of the book "Picasso in Catalonia" (1966 edition), by Josep Palau i Fabre.Hand signed and dated at the top.Certificate of Palau i Fabre enclosed.Measurements: 22 x 24 cm; 56 x 54,5 cm (frame).In this original drawing by Picasso on a photograph of the cover of the book "Picasso in Catalonia" written by Josep Palau i Fabre (edition of 1966), the uninhibited and sardonic stroke of the genius from Malaga takes on this occasion the form of a bearded character. The smiling, good-natured face has, however, been endowed with two horns, revealing in this character the ambivalence that Picasso was so fond of depicting in his most caricatured characters. Let us remember his satyrs and fauns, but also the portraits of his friends with eighteenth-century ruffs and unhinged faces? In fact, the beard of this character makes us wonder whether he did not want to represent Palau i Fabre himself, his great friend and biographer, who certifies the authenticity of the drawing in felt-tip pen shown here.Pablo Ruiz Picasso is the great genius of contemporary painting. The creator of Cubism together with Braque, his capacity for invention and creation places him at the pinnacle of world painting. He was born in Malaga, where his father was a drawing teacher and director of the Municipal Museum. The Ruiz Picasso family soon moved to La Coruña, and from there to Barcelona, where the young Pablo began his artistic studies at the Provincial School of Fine Arts (1895). Although the school's style was entirely academic, the painter soon came into contact with modernist groups which changed his form of expression. Only two years later, in 1897, Picasso held his first solo exhibition at the café "Els Quatre Gats". Paris was to become Pablo's great goal and in 1900 he moved to the French capital for a short period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had known or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterised by the use of these colours and by their subject matter with sordid, isolated figures, with gestures of grief and suffering. Painting in these early years of the 20th century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practised collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso was the great revolutionary, and when all the painters were interested in Cubism, he was preoccupied with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with what had gone before, introducing into his work distorted figures with great force and not exempt from rage and fury. As with Goya, Picasso was also greatly influenced in his work by his personal and social situation. His often tumultuous relationships with women had a serious impact on his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colours and strange forms.