STATUE DE PALDEN LHAMO EN ALLIAGE DE CUIVRE DORÉ DYNASTIE QING, XVIIIE SIÈCLESTATUE DE PALDEN LHAMO EN ALLIAGE DE CUIVRE DORÉDYNASTIE QING, XVIIIE SIÈCLEHimalayan Art Resources item no. 4837 20.8 cm (8 1/4 in.) highA GILT COPPER ALLOY FIGURE OF PALDEN LHAMOQING DYNASTY, 18TH CENTURY清 十八世紀 銅鎏金吉祥天母像Provenance:With Claude de Marteau, Brussels, by 1970sThis sizable depiction of Palden Lhamo (lit. 'Glorious Goddess') portrays the only female among the Eight Dharma Protectors (dharmapala). A myth surrounding her tells of how, moved by compassion for all sentient beings, Palden Lhamo threatened to kill her own son if her husband would not cease from performing human sacrifices. Forced to carry out her ultimatum, she used her son's flayed skin as a saddle whilst fleeing the kingdom.Palden Lhamo, especially in her two-armed form, enjoyed great popularity during the Qing dynasty and a good number of gilt bronze images were created. As with the present bronze, she is often depicted seated sideways atop a mule while striding through a sea of blood and body parts on a mountain plateau. She holds a skull cup in her left hand, while a ritual staff would have been placed in her raised right hand. Exposed fangs, bulging eyes, a skull diadem, and a garland of freshly severed heads express her vehemence. Compare the treatment of the figure and the stylized base to a closely related 18th-century Palden Lhamo sold at Bonhams, Hong Kong, 26 November 2019, lot 22. Another example with similarly exaggerated flaming hair is preserved in the Rose Art Museum, Massachusetts (Rhie & Thurman, Wisdom and Compassion, New York, 2000, p. 303. no. 116).