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Home > Auction >  欧洲古典油画专场  >  Lot.82 Flemish school; XVII century."Saint Paul".Oil on c...

LOT 82 Flemish school; XVII century."Saint Paul".Oil on c...

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EUR2,500
Estimate  EUR  2,500 ~ 3,000

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Setdart Auction House

欧洲古典油画专场

Setdart Auction House

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Size

27 x 21 cm; 34 x 29 cm (frame).

Description

Flemish school; 17th century."Saint Paul".Oil on copper.It conserves frame of epoch.Measurements: 27 x 21 cm; 34 x 29 cm (frame).Situated in the centre of the scene, the figure of St. Paul stands imposingly, dressed in his usual green tunic and his purple cloak, accompanied by his most usual iconographic attributes such as the sword and the book. The tonalities chosen for the scene, with the gradation of colours from green to blue, are a very common feature of the Flemish school, as is the detailed treatment of the elements that make up the image, as the saint's features, the treatment of the hands and even the city in the background, which despite its distance, is clearly visible.Saint Paul was a Hellenised Jew from the Diaspora, born in Tarsus. He was therefore Jewish by ethnicity, Greek by culture and Roman by nationality. He received the name Saul, which he changed to Paul after his conversion. Born at the beginning of the first century, he studied in Jerusalem under the rabbi Gamaliel, who would have been noted for his hatred of Christians. One day, when he was on his way from Jerusalem to Damascus around the year 35, he was dazzled by lightning and fell from his horse. Then he heard the voice of Jesus saying to him: "Saul, Saul, why are you persecuting me? As a result of this experience, the saint went abruptly from persecutor to zealot of Christianity. After curing the blindness of a Christian from Damascus, he began his life as a missionary until he reached Jerusalem, where he came into contact with Peter and the other apostles. In the Middle Ages numerous corporations were placed under his patronage, due to various aspects of his iconography, life and miracles. However, St Paul was never a popular saint, which is proof of the relative poverty of his iconography. In fact, his role in art is not commensurate with his importance in the spread of Christianity. In early Christian art, his only attributes are a book or a scroll, and in the 13th century his emblem appears, the sword which was the instrument of his martyrdom.

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