NAKAHARA NANTENBŌ (1839 – 1925) Monks Setting Out and Monks Returning Taisho period, circa 1922 A pair of Japanese hanging scroll paintings, kakejiku, ink on paper, depicting a procession of monks equipped with staffs and wearing straw hats, each signed Hachijushi-o Nantenbo Tōjū (written by Nantenbo Tōjū, an old man aged eighty-four) and sealed Nantenbo, Hakugaikutsu, and Tōjū, the 'Departure' scroll inscribed Shikai unsui hachiu jorai (The monks of the world clanging their alms bowls like thunder) the 'Return' scroll inscribed Uto enritsu kagyo sonki (Round hats and staffs form a line how many returned enlightened?) 130.5cm high, 30.5cm long (2) - PROVENANCE: English Private Collection, acquired from Hiroshi Yanagi at Tokyo Gallery, Kyoto in the 1990s Nakahara Nantenbō (1839 – 1925) was a Rinzai Zen sect master, a prolific artist and a fervent reformer and teacher, he is said to have carried the torch of Zen into the 20th century. In his quick brushstrokes he relied on the works of old Zen masters such as Hakuin Ekaku (1686 – 1769) and the freshness of his style inspired generations of modern ink painters. Itinerant monks are Nantenbō's most famous motifs, examples of thesepositions are found in the worlds best private and museum collections of Zenga, such as the San Francisco Gitter-Yelen Collection, the Amsterdam Kaeru-An Collection, and the Smithsonian’s Museum of Modern Art, Washington D.C. LITERATURE: Yuji Yamashita, Zenga-The Return from America: Zenga from the Gitter-Yelen Collection, 2000, pp. 146-174. Stephen Addiss, The Art of Zen: Paintings and Calligraphy by Japanese Monks 1600-1925, 1989, p. 200, no. 113.