清 潘恭寿写辋川诗意倣文征明、董其昌山水图清 潘恭寿写辋川诗意倣文征明、董其昌山水图设色纸本 立轴127 x 30 cm. (50 x 11 ? in.)钤印：潘氏慎夫 王文治（1730-1802）题跋：暮声杂初雁，夜色涵早秋。恰见海中月，照君池上楼。山云拂高栋，天汉入云流。不惜朝光满，其如千里游。潘莲巢写辋川诗意，直欲合文征仲、董思翁为一手。近代无此画家也。文治记。钤印：王氏禹卿、梦楼。藏印：岑镕仲陶私印注：岑镕，字仲陶、铜士，江苏江都人。好收藏金石，有“商周吉金之馆”雅号。FROM THE COLLECTION OF ANNA FANG, MADAME WONG NAN-PING (LOTS 824-829)Anna Fang (1924-2022) was the wife of the renowned connoisseur Wong Nan-ping (1924–1985), distinguished collector of Chinese paintings and calligraphy of the twentieth century. The couple met during their studies in Shanghai. They moved to Hong Kong in the late 1940s, where they continued their pursuit of collecting and studying paintings and calligraphy. A leading member of the collecting group Min Chiu Society, for decades Wong Nan-ping formed deep friendships with artists and collectors, often travelling between Hong Kong and Taiwan accompanied by Madame Wong. In the 1970s, the couple frequently visited the United States and Canada to visit their children, and during these trips, they were able to visit North American museums and universities. Madame Wong thus became acquainted with many scholars, collectors and artists.After Wong Nan-ping passed away in 1985, Madame Wong donated the important calligraphy by Wang Anshi (1021-1086) and the Southern Song edition of his complete works to the Shanghai Museum, fulfilling the long-held wish of her late husband. With intimate knowledge of the collecting journey of Wong Nan-ping, she also contributed to the touring exhibition of masterpieces from the Jade Studio, beginning at the Yale University Art Gallery in 1993, and the seminal publication The Jade Studio: Masterpieces of the Ming and Qing Painting and Calligraphy from the Wong Nan-ping Collection, compiled and published by preeminent scholars including Richard Barnhart that followed. This spring, Christie’s is honoured to present a selection of paintings from the collection of Anna Fang, Madame Wong Nan-ping. A close companion and partner in life and art of Wong Nan-ping for nearly four decades, Madame Wong not only played a crucial role in the founding of the Jade Studio Collection, and also in the preservation and continuation of its legacy.Details PAN GONGSHOU (1741-1794)Wangchuan Villa after Wen Zhengming and Dong QichangHanging scroll, ink and colour on paper127 x 30 cm. (50 x 11 ? in.)With one seal of the artistColophon by Wang Wenzhi (1730-1802), with two sealsOne collector’s seal Literature Richard M. Barnhart et al., The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, Yale University Art Gallery, New Haven, 1994, pp.257-258, pl.83.Tian Hong, Wang Nanping’s Collection of Ancient Chinese Paintings, Vol.3, Tianjin People’s Fine Art Publishing, Tianjin, July 2015, p.799, pl.251. Exhibited New Haven, Yale University Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 9 April 1993-31 July 1994.Ann Arbor, University of Michigan Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 10 September-19 November 1994.Hong Kong, Chinese University of Hong Kong Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 16 December 1994-25 February 1995.Lawrence, Kansas, Spencer Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 9 April 9-18 June 1995. Conditions of sale