QIAN GU (1508-1578)Elegant Gathering at Peach and Plum GardenInk and colour on paper, handscrollSigned Qian Gu, with one artist's sealDated jichou (1529)Frontispiece inscribed and signed Huanggang Chen Shitai, with two of his sealsColophon and titleslip by Huang Binhong, with two of his sealsPainting: 26 x 173cm (10¼ x 68⅛in)Frontispiece: 26 x 72cm (10¼ x 28⅜in)Colophon: 26 x 41.5cm (10¼ x 16⅜in)For further information on this lot please visit theArtist or Maker: Qian Gu (Chinese, 1508-1578)Provenance: 錢穀　春夜宴桃李圖　設色紙本　手卷　一五二九年作陳師泰引首題跋黃賓虹署簽並跋簽條：錢罄室畫、陳交甫書合裝卷，賓虹題。鈐印：黃賓虹款識：己丑（1529）春日，寫於懸罄室，錢穀。鈐印：懸罄室題跋：（一）夫天地者，萬物之逆旅，光陰者，百代之過客。而浮生若夢，為歡幾何？古人秉燭夜遊，良有以也。況陽春召我以煙景，大塊假我以文章。會桃李之芳園，序天倫之樂事。群季俊秀，皆為惠連；吾人詠歌，獨慚康樂。幽賞未已，高談轉清。開瓊筵以坐花，飛羽觴而醉月。不有佳作，何伸雅懷？如詩不成，罰依金谷酒數。崇禎癸酉（1633）仲春十二日書於蘇州府署，黃岡陳師泰。鈐印：陳師泰印、交甫（二）錢罄室出吳下文氏之門，追蹤趙松雪筆墨，取法唐人，遵循正軌。雖剛健有餘，而涵蘊不足。以視吳小僊、張平山、蔣三松、郭清狂一流，當為遠勝。若雲閒派之凄迷瑣碎，金陵派之刻畫細謹，亦未可與議也。八十五叟賓翁。鈐印：黃賓虹印註：據《湖廣通志》載「陳師泰，字交甫，黃岡人。崇禎庚午（1630）舉於鄉，累官蘇州知府。好吟詠，書法直逼大蘇。」〈春夜宴桃李圖序〉是李白抒寫與諸堂弟春夜宴於桃李盛開之園林的樂趣和感慨。據黃錫珪《李太白年譜》... For further information on this lot please visit the