A George I/II burr walnut eight-day longcase clock with moonphase Unsigned, probably West Country, second quarter of the 18th century The four finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and leafy border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced blued steel hands and crested mask centred foliate scroll cast spandrels to angles, the arch with rolling moonphase incorporating herring border and silvered scale calibrated for the lunar month to upper margin over landscape opposing armillary engraved lunettes beneath, the case with ogee cornice and blind fretwork decorated upper quadrants over break-arch glazed door flanked by integral three-quarter columns with gilt brass caps and bases, the sides with rectangular windows, the trunk with shaped arch top quarter veneered caddy moulded door with chevron strung crossbanded, on conforming truncated plinth base with ogee top moulding and moulded double skirt, 211cm (83ins) high. Provenance: Bears an old label inscribed in ink This clock was the property of Hannah Moore of 'Cowslip Green' Wrington, Somerset, & was purchased at a sale of her furniture, supposed date of clock, 1700. Hannah Moore was a prolific poet, playwright and writer on religion and morality. Born in Stapleton, South Gloucestershire in 1745 she was the daughter of a schoolmaster who after breaking-off her six year engagement to William Turner after he kept postponing the wedding in 1773 focussed on her writing. Her poetry gained the acclaim David Garrick and Dr. Samuel Johnson proclaimed her the most powerful of English women poets after reading her work 'Bas Bleu' (Blue Stocking) in 1784. Latterly she turned towards writing moral treatises criticising fashionable society for its selfishness and immorality as well as becoming a strong voice in the anti-slavery movement exemplified by her 1788 poem 'Slavery'. By 1785 she had moved, along with her sister Martha to thatched cottage at Cowslip Green, Wrington, North Somerset before moving again to a nearby larger house in 1801. When Hannah Moore died in 1833 she left the bulk of her estate of £27,500 (equivalent to about £2m today) to various religious and medical causes.