Early 6th millennium BC. A ceramic figure formed as a seated mother goddess; pinched triangular-profile head, arms held to the body cupping prominent breasts, full thighs and stub legs; series of painted black bands over the body. 120 grams, 92mm (3 1/2"). From the private collection of Antony John Scammell (1937-2019); acquired from C. J. Martin (Coins) Ltd, London, UK, in 1998; accompanied by the original invoice. In the 7th millennium BC, cultures in the Near East began creating organised settlements with developed religious and funerary practices. The Halaf culture of Anatolia and northern Syria produced a variety of figures representing females and associated with fertility. It is not known whether figures such as this were intended to represent real, ideal, or divine women. However, scholars believe that their primary purpose was to encourage female fertility. Antony John Scammell (1937-2019) was born, and lived his entire life, in the city of Bristol, England. Already from an early age he was enthralled by history and the heroes that it created. While serving overseas with the British Army, Antony began collecting coins and banknotes and this led to collecting a variety of different items throughout his life. From the early 1960s onward, Antony invested in acquiring ancient artefacts. Antony's vast collections started with Egyptian antiquities, but soon branched into Greek and Roman civilisations. The Roman civilisation fascinated him most and, when family commitments allowed, archaeological digs were coordinated in the west of England. These digs uncovered numerous artefacts, many of which were donated to local museums. In retirement, the collecting continued apace, branching into UK coins, British Empire banknotes and fossils.