LOT 87 Dutch school; late 17th century. "The Inn." Oil on...
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Dutch school; late 17th century. "The Inn." Oil on oak panel. It has restorations. Presents illegible signature: P.W. Measurements: 45,5 x 34,5 cm; 63,5 x 53 cm (frame). In this work the author collects a scene of costumbrista character, placing a group of characters outside an inn. The work stands out for the theme, very much in the taste of the Dutch school, and the earthy tones, also associated with that school. The author, who presents a development of the exterior activity, manages to harmoniously combine the representation of the landscape with a completely protagonist architecture in the scene. Undoubtedly, it was in the painting of the Dutch school where the consequences of the political emancipation of the region, as well as the economic prosperity of the liberal bourgeoisie, were most openly manifested. The combination of the discovery of nature, objective observation, the study of the concrete, the appreciation of the everyday, the taste for the real and material, the sensitivity to the seemingly insignificant, made the Dutch artist commune with the reality of everyday life, without seeking any ideal alien to that same reality. The painter did not seek to transcend the present and the materiality of objective nature or to escape from tangible reality, but to envelop himself in it, to become intoxicated by it through the triumph of realism, a realism of pure illusory fiction, achieved thanks to a perfect and masterful technique and a conceptual subtlety in the lyrical treatment of light. Because of the break with Rome and the iconoclastic tendency of the Reformed Church, paintings with religious themes were eventually eliminated as a decorative complement with a devotional purpose, and mythological stories lost their heroic and sensual tone, in accordance with the new society. Thus, portraits, landscapes and animals, still life and genre painting were the thematic formulas that became valuable in their own right and, as objects of domestic furniture - hence the small size of the paintings - were acquired by individuals of almost all classes and social classes. Dimensions 45,5 x 34,5 cm; 63,5 x 53 cm (frame).
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