Circle of PALMA II GIOVANE (Venice, 1544 - ibid., 1628)"Penitent Saint Jerome".Oil on canvas.It has repainting and restorations.It preserves the original canvas.Measurements: 96 x 121 cm.This canvas deals with the theme of Saint Jerome penitent in the desert through a classical, clear and open composition. Thus, the saint appears full-length, highlighted by the lighting and also by the intense crimson tone of his cloak. He is located in a rocky setting, enclosed on both sides and open to a landscape defined by the presence of a grey, leaden sky dominated by the presence of a city in the distance. Returning to the centre of the scene, it is worth noting the saint's posture, concentrated, reading the Bible, while directing one of his hands to his chest and raising the other towards the sky, thus showing himself to the viewer as an intercessor of the word of God. Next to the saint, which can only be seen on the right side of the composition, are the attributes of the saint, such as the skull, the red cap, and the lion's head in the lower corner, all of which are enveloped in a subtle half-light, a characteristic that prevents these elements from being visible to the naked eye, thus leaving the figure of the saint, which is imbued with a warm luminosity, to take centre stage. The representation follows the models of Jacopo Palma the Younger (Venice 1548-1628), which are known thanks to a burin engraving made by the German engraver Hendrik Goltzius (1558-1616) in 1596.One of the four great Doctors of the Latin Church, Saint Jerome was born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician and polyglot. Baptised at the age of nineteen, between 375 and 378 he withdrew to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. One of the most frequent representations of this saint is his penance in the desert. His attributes are the stone he uses to beat his chest and the skull on which he meditates. Also the cardinal's capelet (or a red mantle), although he was never a cardinal, and the tamed lion. The latter comes from a story in the "Golden Legend", where it is narrated that one day, when he was explaining the Bible to the monks in his convent, he saw a lion limping towards him. He removed the thorn from the lion's paw, and from then on he kept it in his service, instructing it to look after his donkey while he grazed. Some merchants stole the donkey, and the lion recovered it, returning it to the saint without hurting the animal. Saint Jerome was one of the most widely depicted saints of the 17th century, his popularity being largely due to his work as a translator and disseminator of the Holy Scriptures. For this reason, after the split in the Church and the subsequent Counter-Reformation, Christianity emphasised the values of all those religious figures who symbolised the elements that formed part of the Protestant attacks.