PAZ AYMERICH (Present).Untitled, 2021.Woodcut on intervened paper.Signed in the lower right corner.Size: 70 x 33 cm.Figurative painting where colour is the predominant element. The cityscapes are very characteristic. Views of roofs and rooftops, antennas and chimneys. Some cities are invented, others are real views. Of particular interest are the works on the roofs of Lyon, Paris and Madrid. His way of working, with loose stains and rapid execution, is easily recognisable.When looking at Paz's work, the strongest impression is that we are looking at a complete nude, a nude of the soul, pure inner world. Her cities reflect her vision of life: a lover and friend of people, her friends, but fearful of people, whom she nevertheless needs. Views of impossible but safe penthouses, from where to enjoy the city with living houses, with people inside them, barely glimpsed, far away, without aggression... but they are there. It is a beautiful and silent vision of the big city but we perceive its human heartbeat, its essences, almost its inner bustle, but there is no one visible. It is a world à la carte in which each viewer, almost every glance of oneself, gives us back a different sensation... "Impression, confused city".The execution is fast, breaking down brushstrokes or strokes of the palette, dematerialising backgrounds or details in the manner of mosaics, drawing impossible colours from that inspiring feeling that placed her in front of the board or canvas with determination. They are snapshots, feelings, emotions of a moment... or perhaps of a whole life, sketched for each look to finish them.She has exhibited in different countries all over the world, with special renown in the United States, Switzerland and Spain.