ENRIQUE YÁÑEZ SALGADO (Guadalajara, Spain, 1989)."Water", 2013.Oil wax and acrylic on canvas.Work registered on the artist's website.The work must be exhibited with a nail fastening on the wall and must be stored rolled up.Titled and dated on the back.Size: 160 x 90 cm.The work must be exhibited with nails on the wall and must be kept rolled up.M Enrique Yáñez is the founder and director of the cultural platform Pangea Cultura, the Ruido movement (Galicia/Ciudad Real) and the Revuelta movement (Madrid). He was also the director of the school E.D.E.N. Escuela De Educación Natural (Espacio creativo) until 2016. In 2008 he began his academic training studying Business Administration of Art Galleries at Abbey College in the United Kingdom, developing a research on the Anglo-French-European Avant-Garde (Republic of Ireland). In 2009 he returned to Spain and studied primitive human morphology, preparing for future exhibitions. He also studied Artistic Serigraphy at the E. A. Pedro Almodóvar de la E. A. Pedro Almodóvar in Ciudad Real and Higher Studies in Applied Sculpture Arts at the E. A. Pablo Picasso in A Coruña. Yáñez holds a degree in Philosophy from the Complutense University of Madrid. He has a Master's degree in Moral and Political Philosophy (UNED) and a Master's degree in Teacher Training, specialising in Geography and History (URJC). He has participated in numerous solo exhibitions including; House of Art, Malvern, UK (2008), El vacío de las sombras, Estudio Laura Domínguez, Guadalajara (2011), Centro Cultural Río Henares, Azuqueca de Henares (2011), La vergüenza, Círculo de Bellas Artes, Ciudad Real, Estudio Laura Domínguez, Guadalajara (2012), Gracias, Alcarria, Espacio Ibercaja, Guadalajara (2014), De lo concreto a lo creciente, Vector Cultural , Madrid (2014). Ve vidas y vidas ajenas, Sala de Exposiciones Municipal, Azuqueca de Henares, Guadalajara (2014), Vector Cultural, Madrid (2014), Proyecto Nada Bueno, Auditorio de Las Rozas, Madrid, coordinated by Carlos Delgado Mayordomo (2015), Alumbramiento, exhibition hall of the Centro Buero Vallejo, Guadalajara (2018) and Ostensión Fósil, Sala Maruja Mallo, Las Rozas, Madrid, by Carlos Delgado Mayordomo (2020).