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Fox, Caspar. Saulgau 1671 - 1741. 74 x 59 cm. Mary Magdalene in prayer. Oil/liquid, signed lower left. Provenance: Collection Reck, Tettnang.

LOT 518

Fox, Caspar. Saulgau 1671 - 1741. 74 x 59 cm. Mary Magdalene in prayer. Oil/liquid, signed lower left. Provenance: Collection Reck, Tettnang.

Starting price ： EUR  700

Estimate ： 暂无估价

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Bologna. Around 1700. 62 by 75 centimeters. Cimon and Pera (Caritas Romana). Oil/Lwd./Lwd. Provenance: Stuttgart collection. Rest.

LOT 519

Bologna. Around 1700. 62 by 75 centimeters. Cimon and Pera (Caritas Romana). Oil/Lwd./Lwd. Provenance: Stuttgart collection. Rest.

Starting price ： EUR  1,500

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Hertz, Johann. 1693 - 1754, worked in Augsburg. 60 x 75 cm. The Madonna with the Christ and John boy. Oil/liquid, signed and dated on the canvas on the reverse:

LOT 520

Hertz, Johann. 1693 - 1754, worked in Augsburg. 60 x 75 cm. The Madonna with the Christ and John boy. Oil/liquid, signed and dated on the canvas on the reverse: "Johann Hertz pinxit 1724". Provenance: Collection Reck, Tettnang.

Starting price ： EUR  600

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Procaccini, Giulio Cesare. Bologna about 1570 - Milan 1625. 67 x 48 cm. Mockery of Christ. Oil/wood, parquetry on the back. The painting is listed and illustrated in : Franco Moro, Piacenza terra di frontiera: pittori lombardi e liguri del settecento, Piacenza 2010, pp. 50/51 The painting by Procaccini presented here, hitherto unknown, can almost certainly be attributed to his young creative period. In 1585 Procaccini moved with his parents to Milan, where he initially worked primarily as a sculptor on the construction sites of the cathedral, St. Maria presso San Celso and also on the cathedral construction site in Cremona. A study trip to Parma, which he undertook at the beginning of the 17th century, is decisive for his painterly education, although he was certainly active as a painter even before that, as some ceiling frescoes by him in St. Maria presso San Celso from 1601 can be traced. A similar version on canvas exists for the present work, which Moro classifies as having been created later. This panel is directly related to some of the painter's works, which he executed at the beginning of the 17th century. As comparisons Franco Moro cites, among others, the Marthyrium of St. Agnes (Newhouse Galleries, New York),

LOT 521

Procaccini, Giulio Cesare. Bologna about 1570 - Milan 1625. 67 x 48 cm. Mockery of Christ. Oil/wood, parquetry on the back. The painting is listed and illustrated in : Franco Moro, Piacenza terra di frontiera: pittori lombardi e liguri del settecento, Piacenza 2010, pp. 50/51 The painting by Procaccini presented here, hitherto unknown, can almost certainly be attributed to his young creative period. In 1585 Procaccini moved with his parents to Milan, where he initially worked primarily as a sculptor on the construction sites of the cathedral, St. Maria presso San Celso and also on the cathedral construction site in Cremona. A study trip to Parma, which he undertook at the beginning of the 17th century, is decisive for his painterly education, although he was certainly active as a painter even before that, as some ceiling frescoes by him in St. Maria presso San Celso from 1601 can be traced. A similar version on canvas exists for the present work, which Moro classifies as having been created later. This panel is directly related to some of the painter's works, which he executed at the beginning of the 17th century. As comparisons Franco Moro cites, among others, the Marthyrium of St. Agnes (Newhouse Galleries, New York), "Christ on Mount Tabor" in Milan's private collection, the "Deposition" of Appenzell, the first Milanese altarpieces in St. Maria presso San Celso and St. Maria della Passione.

Starting price ： EUR  10,000

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Southern Germany. 18th century. 40 by 49 cm. The haunting. Christ's farewell to his mother. Counterparts. Oil/swd. Provenance: Collection Reck, Tettnang.

LOT 522

Southern Germany. 18th century. 40 by 49 cm. The haunting. Christ's farewell to his mother. Counterparts. Oil/swd. Provenance: Collection Reck, Tettnang.

Starting price ： EUR  600

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Netherlands. 17th century. 33 x 43 cm. The healing of the sick at the pond of Bethesda. Oil/wood. In Jerusalem there was a pond where in porticoes lame, sick and blind people waited for an angel to move the water in the pond so that whoever went down first would be healed. Jesus met a lame man there who was always late because of his handicap, since nobody carried him inside. Then Jesus said to him,

LOT 523

Netherlands. 17th century. 33 x 43 cm. The healing of the sick at the pond of Bethesda. Oil/wood. In Jerusalem there was a pond where in porticoes lame, sick and blind people waited for an angel to move the water in the pond so that whoever went down first would be healed. Jesus met a lame man there who was always late because of his handicap, since nobody carried him inside. Then Jesus said to him, "Get up, take your stretcher and go." And the man could walk again.

Starting price ： EUR  1,000

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Flemish school. 17th century. 37 x 28 cm,o.R. The Adoration of the Kings. Oil/wood. Aged, rest.

LOT 524

Flemish school. 17th century. 37 x 28 cm,o.R. The Adoration of the Kings. Oil/wood. Aged, rest.

Starting price ： EUR  1,200

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Southern Germany. 18th century. 26 by 34 cm. The worship of kings. Oil/Lwd./Lwd. Aged, rest.

LOT 525

Southern Germany. 18th century. 26 by 34 cm. The worship of kings. Oil/Lwd./Lwd. Aged, rest.

Starting price ： EUR  1,300

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Chasse, Barthélémy. Naples about 1660 - Marseille 1720. 86 x 112 cm. The penitent Mary Magdalene. Oil/liquid, signed lower left. Barthélémy Chasse (probably a Frenchized form of Sciascia), who was active in Marseilles from 1689/1690 and who came from Naples, is influenced by the work of Juseppe de Ribera and the Neapolitan works of Caravaggio. A representation of the Wonderful Fish Train (with fish still lifes) also reveals an influence of Giuseppe Recco. Chasse worked mainly for the local convents, brotherhoods and also for the Archbishop Henri Francois de Belsunce, whose court painter he was from 1711 and for whom he executed monumental paintings for his episcopal palace and his castle in Aubagne. In addition to the large formats, which he sometimes created together with the Spanish painter Michel Serre, he also created smaller, signed paintings for private clients, to which the present work can also be counted. With an expert opinion by Dr. Mina Gregori, Florence (photocopied).

LOT 526

Chasse, Barthélémy. Naples about 1660 - Marseille 1720. 86 x 112 cm. The penitent Mary Magdalene. Oil/liquid, signed lower left. Barthélémy Chasse (probably a Frenchized form of Sciascia), who was active in Marseilles from 1689/1690 and who came from Naples, is influenced by the work of Juseppe de Ribera and the Neapolitan works of Caravaggio. A representation of the Wonderful Fish Train (with fish still lifes) also reveals an influence of Giuseppe Recco. Chasse worked mainly for the local convents, brotherhoods and also for the Archbishop Henri Francois de Belsunce, whose court painter he was from 1711 and for whom he executed monumental paintings for his episcopal palace and his castle in Aubagne. In addition to the large formats, which he sometimes created together with the Spanish painter Michel Serre, he also created smaller, signed paintings for private clients, to which the present work can also be counted. With an expert opinion by Dr. Mina Gregori, Florence (photocopied).

Starting price ： EUR  12,000

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Rembrandt, Harmensz. van Rijn (after). Leiden 1606 - Amsterdam 1669. 68 x 52 cm. The archangel Raphael leaves the family of Tobias. Oil/Lwd./Lwd. After Rembrandt's painting in the Louvre, Paris.

LOT 527

Rembrandt, Harmensz. van Rijn (after). Leiden 1606 - Amsterdam 1669. 68 x 52 cm. The archangel Raphael leaves the family of Tobias. Oil/Lwd./Lwd. After Rembrandt's painting in the Louvre, Paris.

Starting price ： EUR  500

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Sanzio, Raffaello (to). Urbino 1483 - Rome 1520. 107 x 76 cm. The Madonna with the Christ and John boy.

LOT 528

Sanzio, Raffaello (to). Urbino 1483 - Rome 1520. 107 x 76 cm. The Madonna with the Christ and John boy. "( The beautiful gardener ). Oil/Lwd./Lwd. After Raphael's painting in the Louvre, Paris. Provenance: Collection of the Stuttgart entrepreneur and art lover Wolfgang Osterloh. See the portrait of Wolfgang Osterloh (PDF).

Starting price ： EUR  500

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Bassano, Leandro (successor). Bassano 1557 - Venice 1622. 47 x 50 cm. The circumcision of Christ. Oil/wood, parquetry on the back. On the reverse various old labels, including the inventory label of the House of Habsburg

LOT 529

Bassano, Leandro (successor). Bassano 1557 - Venice 1622. 47 x 50 cm. The circumcision of Christ. Oil/wood, parquetry on the back. On the reverse various old labels, including the inventory label of the House of Habsburg "Gemälde Galerie des Allerh. Kaiserhauses No. 4310" and the label of the Deacession "Aus dem Inventar der Gemäldegalerie gestrichen".

Starting price ： EUR  2,500

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Southern Germany. Around 1800. 83 by 106 cm. The last supper. Oil/swd. Provenance: Collection Reck, Tettnang. Probably original frame.

LOT 530

Southern Germany. Around 1800. 83 by 106 cm. The last supper. Oil/swd. Provenance: Collection Reck, Tettnang. Probably original frame.

Starting price ： EUR  800

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Brusco, Cornelio (attr.). Naples about 1588 - about 1635. 36 x 46.5 cm. The Israelites in the desert (Moses strikes water from the rock). Oil/copper. Cornelio Brusco has only become better known in recent years. Until then his works were mainly attributed to Filippo Napoletano and Scipione Compagno. His preferred pictorial themes were biblical stories, scenes of paradise, the purgatory or Troy, which were not yet widespread in Naples and aroused the interest of his clients. His oeuvre shows stronger influences by Tintoretto, which probably indicates a longer stay in Venice. The work is published in : Spunti per conversare 9, Milan, Galleria Nella Longari, November 2006 by Giancarlo Sestieri. See also: Maria Rosaria Nappi, Il

LOT 531

Brusco, Cornelio (attr.). Naples about 1588 - about 1635. 36 x 46.5 cm. The Israelites in the desert (Moses strikes water from the rock). Oil/copper. Cornelio Brusco has only become better known in recent years. Until then his works were mainly attributed to Filippo Napoletano and Scipione Compagno. His preferred pictorial themes were biblical stories, scenes of paradise, the purgatory or Troy, which were not yet widespread in Naples and aroused the interest of his clients. His oeuvre shows stronger influences by Tintoretto, which probably indicates a longer stay in Venice. The work is published in : Spunti per conversare 9, Milan, Galleria Nella Longari, November 2006 by Giancarlo Sestieri. See also: Maria Rosaria Nappi, Il "Filippo Napoletano" di Roberto Longhi: Scipione Compagni o Cornelio Brusco?, in: Prospettiva. Rivista di storia dell'arte antica e moderna 47 (1986), pp. 24-37.

Starting price ： EUR  5,000

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Valckenborch, Frederik van (district). Antwerp about 1570 - Nuremberg 1622. 50 x 69 cm. The entry of the Queen of Sheba into Jerusalem. Oil/Lwd./Lwd.

LOT 532

Valckenborch, Frederik van (district). Antwerp about 1570 - Nuremberg 1622. 50 x 69 cm. The entry of the Queen of Sheba into Jerusalem. Oil/Lwd./Lwd.

Starting price ： EUR  3,000

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Janssens, Victor Honoré. Brussels 1658 - 1736. 162 x 215 cm. Saint Nicholas in Cilicia. Oil/Lwd./Lwd., signed lower right. The influence of classicism propagated by Nicolas Poussin is noticeable in Janssens' Arcadian mythological landscapes and is also clearly evident in his major religious works. Provenance: Until 1866, the painting hung in the Austrian legation at the German Bundestag in Frankfurt, from where it passed into the ownership of the Counts of Condenhoven. The uncle of the current owner acquired it from the von Condenhoven family in 1966.

LOT 533

Janssens, Victor Honoré. Brussels 1658 - 1736. 162 x 215 cm. Saint Nicholas in Cilicia. Oil/Lwd./Lwd., signed lower right. The influence of classicism propagated by Nicolas Poussin is noticeable in Janssens' Arcadian mythological landscapes and is also clearly evident in his major religious works. Provenance: Until 1866, the painting hung in the Austrian legation at the German Bundestag in Frankfurt, from where it passed into the ownership of the Counts of Condenhoven. The uncle of the current owner acquired it from the von Condenhoven family in 1966.

Starting price ： EUR  9,000

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Stuck, Dirck. Active 1631 - 1664 in Haarlem and Leiden. Twenty-seven by thirty-five inches. Wide river landscape with numerous ships and figures, in the foreground tower-like building with an inn. Oil/wood, monogrammed lower right. Rest.

LOT 535

Stuck, Dirck. Active 1631 - 1664 in Haarlem and Leiden. Twenty-seven by thirty-five inches. Wide river landscape with numerous ships and figures, in the foreground tower-like building with an inn. Oil/wood, monogrammed lower right. Rest.

Starting price ： EUR  2,000

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Oosten, Isaac van. Antwerp 1613 - 1661. 42 x 56 cm. Lively bustle on a village road. Oil/wood, parquetry on verso, signed lower right. Aged, rest.

LOT 536

Oosten, Isaac van. Antwerp 1613 - 1661. 42 x 56 cm. Lively bustle on a village road. Oil/wood, parquetry on verso, signed lower right. Aged, rest.

Starting price ： EUR  4,800

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Dijck, Abraham van. Amsterdam 1635 - 1680. 39 x 49 cm. Scholar in the studio. Oil/Lwd./Lwd.

LOT 537

Dijck, Abraham van. Amsterdam 1635 - 1680. 39 x 49 cm. Scholar in the studio. Oil/Lwd./Lwd. "The painting is listed and illustrated in: Werner Sumowski, painting by the Rembrandt pupils, vol. 1, no. 374, ill. p. 695 Provenance: Berlin, Wesendonck Collection, 1888 (Catalogue Berlin 1888, p. 77, no. 239a: Rembrandt; Depositum in the Landesmuseum Bonn); Wesendonck- von Bissing Auction, Lempertz, Cologne, 27. November 1935, lot 32 (as Abraham van Dijck, with remains of the signature at lower right, only the A legible.); Schloss Reppert, 1945/46; Collecting Point Wiesbaden/Marburg, Property Card Mar 73, restituted to Dr. R. Reppert on 5 October 1949; auction Kunsthaus am Museum, Cologne, 23-26 October 1968, lot. 54; Auction, Nagel Auktionen, Stuttgart, 4-5 December 1998, lot. 538."

Starting price ： EUR  4,500

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School of Amsterdam. Around 1700. 20 by 17 cm. Tronie of an old woman with dark hood and dark coat with fur trimming. Oil/wood.

LOT 538

School of Amsterdam. Around 1700. 20 by 17 cm. Tronie of an old woman with dark hood and dark coat with fur trimming. Oil/wood.

Starting price ： EUR  7,500

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Heemskerck, Egbert van the Younger (county). 1676 - 1744. 44 x 57 cm. Card playing peasants in the inn. Oil/liquid, lower left unclearly signed and dated 1750. rest.

LOT 539

Heemskerck, Egbert van the Younger (county). 1676 - 1744. 44 x 57 cm. Card playing peasants in the inn. Oil/liquid, lower left unclearly signed and dated 1750. rest.

Starting price ： EUR  800

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Netherlands. 17th century. 31 x 22 cm. Elegant lady in the guardroom interior with drinking and card playing soldiers. Oil/wood, on the reverse old lacquer seal and label of Commeter'sche Kunsthandlung, Hamburg. Provenance: From a Bavarian collection.

LOT 540

Netherlands. 17th century. 31 x 22 cm. Elegant lady in the guardroom interior with drinking and card playing soldiers. Oil/wood, on the reverse old lacquer seal and label of Commeter'sche Kunsthandlung, Hamburg. Provenance: From a Bavarian collection.

Starting price ： EUR  1,000

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Bega, Cornelis Pietersz. (attr.). Haarlem 1631 - 1664. 35 x 26 cm. Scene at the inn. Oil/wood.

LOT 541

Bega, Cornelis Pietersz. (attr.). Haarlem 1631 - 1664. 35 x 26 cm. Scene at the inn. Oil/wood.

Starting price ： EUR  1,500

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Germany. First half of the 18th century. 120 x 90 cm. Portrait of an elderly gentleman at the kitchen table with fishes. Oil/flood, bottom left inscribed

LOT 542

Germany. First half of the 18th century. 120 x 90 cm. Portrait of an elderly gentleman at the kitchen table with fishes. Oil/flood, bottom left inscribed "Pieta, Rahn Aetat. 1724. Wolffenbütt. (...) Januarius". Oil/swd. Provenance: Stuttgart private collection. Rest.

Starting price ： EUR  800

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Francanzano, Francesco (district). Monopoli 1612 - Naples 1656. 48 x 45 cm. The philosopher Diogenes of Sinope. Oil/Lwd./Lwd. The philosopher portrayed as a bust is immersed in a tome. Next to him at the edge of the picture a lantern as a reference to the legend that he walked in broad daylight with one in his hand across the market of Athens because he wanted to look for a person.

LOT 543

Francanzano, Francesco (district). Monopoli 1612 - Naples 1656. 48 x 45 cm. The philosopher Diogenes of Sinope. Oil/Lwd./Lwd. The philosopher portrayed as a bust is immersed in a tome. Next to him at the edge of the picture a lantern as a reference to the legend that he walked in broad daylight with one in his hand across the market of Athens because he wanted to look for a person.

Starting price ： EUR  8,000

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Rossi, Pasquale de'. Vicenza 1641 - Rome 1722. 32 x 24 cm. Making music. At craps. Counterparts. Oil/copper. The paintings are listed and illustrated in : Anna Maria Ambrosini Massari/Angelo Mazza (ed.), Pasqualino Rossi 1641-1722, Grazie e affetti di un artista del Seicento, Milan 2009, pp. 136/137.

LOT 544

Rossi, Pasquale de'. Vicenza 1641 - Rome 1722. 32 x 24 cm. Making music. At craps. Counterparts. Oil/copper. The paintings are listed and illustrated in : Anna Maria Ambrosini Massari/Angelo Mazza (ed.), Pasqualino Rossi 1641-1722, Grazie e affetti di un artista del Seicento, Milan 2009, pp. 136/137.

Starting price ： EUR  5,000

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Tassi, Agostino (attr.). Perugia 1565 - Rome 1644. 100 x 135 cm. Shipyard with numerous figures in a bay below a fortification on a rocky coast. Oil/Lwd./Lwd. Provenance: From old South German private property. Rest.

LOT 545

Tassi, Agostino (attr.). Perugia 1565 - Rome 1644. 100 x 135 cm. Shipyard with numerous figures in a bay below a fortification on a rocky coast. Oil/Lwd./Lwd. Provenance: From old South German private property. Rest.

Starting price ： EUR  1,500

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Hail, Daniel van (attr.). Brussels 1604 - 1662. 46 x 66 cm. Shipyard at a harbour with a nightly conflagration. Oil/wood. Provenance: From old South German private property. Aged, rest.

LOT 546

Hail, Daniel van (attr.). Brussels 1604 - 1662. 46 x 66 cm. Shipyard at a harbour with a nightly conflagration. Oil/wood. Provenance: From old South German private property. Aged, rest.

Starting price ： EUR  800

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Trautmann, Johann Georg (attr.). Zweibrücken 1713 - Frankfurt am Main 1769. 21 x 29 cm. River landscape at night castle fire. Oil/wood. Provenance: From a large southern German private collection.

LOT 547

Trautmann, Johann Georg (attr.). Zweibrücken 1713 - Frankfurt am Main 1769. 21 x 29 cm. River landscape at night castle fire. Oil/wood. Provenance: From a large southern German private collection.

Starting price ： EUR  800

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Trautmann, Johann Georg. Zweibrücken 1713 - Frankfurt am Main 1769. 23 x 30 cm. Nocturnal conflagration in a small town. Oil/wood. With an expert opinion by Ellen Bernt, Munich 1982 (as photocopy). Provenance: From old South German private property.

LOT 548

Trautmann, Johann Georg. Zweibrücken 1713 - Frankfurt am Main 1769. 23 x 30 cm. Nocturnal conflagration in a small town. Oil/wood. With an expert opinion by Ellen Bernt, Munich 1982 (as photocopy). Provenance: From old South German private property.

Starting price ： EUR  500

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